Wrecking Ball (Special Edition) [Special Edition]
Wrecking Ball (Special Edition) [Special Edition] Reviews
Wrecking Ball is an angry album dealing with hard and desperate times: unemployment, economic discrepancies, and personal displacement are just a few of the underlying themes addressed. It is also an album where many of the musical styles Bruce Springsteen has engaged in come together, along with new elements such as loops and a more pronounced use of female singers. It opens with We Take Care of Our Own, a song that musically sounds like vintage E Street Band; it is, in its own way, as powerful an opening track as Badlands or Born in the U.S.A. Like that latter song, it could receive a mistaken interpretation by the casual listener drawn in to the catchy chorus. But, where the chorus declares "We take care of our own," the lyrics examine an America where needed help never appears. Shackled and Drawn and Death to My Hometown both bear strong resemblances to the tracks Springsteen performed during his Seeger Sessions time. With their Irish feel, they sound like songs that Shane MacGowan could sink his crooked teeth into with joy. Easy Money, a song about a man going out with his lover to commit crimes to make some cash, has a ramshackle, country feel that perfectly matches Springsteen's grizzled snarl. The title track presents Springsteen reminiscing about coming up in the "swamps of Jersey," referencing his classic track Rosalita. It is a defiant song in which Bruce dares all comers to "take your best shot/let me see what you got." It is an exhilarating song; at 62, The Boss is still willing to throw down the gauntlet. Wrecking Ball, for all its anger, ends on a hopeful note. Land of Hope and Dreams, a song that debuted during the 1999-2000 E Street reunion tour, uses the imagery of the freedom train carrying passengers to a better destination. The final track (on the regular edition release), We Are Alive, with sweeping, loping music that could fit in a 60s western, tells of departed souls rising up in solidarity and strength. One final note: midway through Land of Hope and Dreams, we hear a saxophone solo by the late Clarence Clemons. It's like receiving a call from a long lost friend. For a few moments, it seems as if the Big Man is truly as immortal as implied by Springsteen in his moving eulogy. It is a transcendent moment, one of the high points of a truly fine addition to the Springsteen canon. Recommended listening.. this is my Wrecking Ball (Special Edition) [Special Edition] reviewsWrecking Ball (Special Edition) [Special Edition] Specs
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